Charles and Ray Eames 670 Lounge Chair for Herman Miller, Black Edition

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Ref: B-050

Designer
Charles & Ray Eames
Manufacturer
Herman Miller
Period
1980s
Origin
United States
Materials
leather, ash plywood, steel
Color
black leather, black-stained ash
Condition
Good — reupholstered to Herman Miller specifications
Height
89 cm
Width
84 cm
Depth
92 cm
Seat height
38 cm
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The Eames 670 needs no introduction — it is arguably the most recognised piece of furniture designed in the twentieth century. But this particular example deserves one, because it is not the standard rosewood or walnut edition that most people picture. This is the rare black-stained ash plywood version, produced by Herman Miller in the 1980s, with a distinctive visual detail that sets it apart from every other 670 on the market.

The black-stained ash shell reveals a straight, clearly visible grain pattern that is characteristic of ash wood. But the real distinction lies in the edges: where the stain meets the layered plywood construction, a contrasting orange-brown line appears, exposing the laminated layers beneath. This creates a striking visual tension between the dark exterior surfaces and the warm natural wood at every edge — a detail that emphasises the sculptural quality of the bent plywood and highlights the craftsmanship of the chair's construction.

This 670 has been carefully reupholstered in high-quality black leather with a matte finish that matches the original Herman Miller specifications. The leather is fresh and supple, the cushions properly filled, and the overall presentation is excellent. The plywood shell and steel base show honest signs of age consistent with a piece from the 1980s.

Ray and Charles Eames first introduced the 670 in 1956, and it has remained in continuous production ever since — a testament to the timelessness of its design. The black-stained ash edition was not commonly produced, making this version particularly desirable among serious collectors of Eames furniture. The deliberate treatment of the wood — staining the faces while allowing the natural laminated edge to show — was a design decision that elevated a production chair to something approaching art.

This is the Eames lounge chair for those who already know the standard versions and want something rarer, more considered, and quietly distinctive. A collector's piece that also happens to be one of the most comfortable chairs ever designed.