Hans Hopfer Mah Jong Modular Sofa for Roche Bobois in Missoni

The Mah Jong is not really a sofa. It is a philosophy of living — one that rejects fixed arrangements in favour of infinite possibility. When Hans Hopfer designed it in 1971, he distilled the spirit of an entire era into three simple elements that could be combined, rearranged, and reimagined endlessly. More than fifty years later, no other sofa has surpassed it for sheer creative freedom.

This five-element set from the 2000s wears original Missoni Home fabric — the celebrated collaboration that brought the Italian fashion house's bold patterns and colour sensibility to Roche Bobois's most iconic design. The configuration includes two straight backs, a corner element, and two cushions, offering a versatile foundation that can serve as a compact sofa, a sprawling daybed, or anything in between.

The Missoni fabric carries the honest marks of a life well lived. Subtle variations in colour from sun exposure and the soft patina of regular use tell a story — of conversations that ran late, of afternoons spent reading, of sunbeams that crossed a room over the course of years. This is original condition in the truest sense: authentic, characterful, and irreplaceable.

Hans Hopfer's genius lay in understanding that people do not sit the same way twice. The Mah Jong accommodates every posture, every mood, every social configuration. It was revolutionary in 1971, and it remains one of the most copied and least equalled designs in furniture history. Roche Bobois's ongoing collaborations with fashion houses like Missoni, Jean Paul Gaultier, and Kenzo have kept the design culturally relevant across five decades.

This set brings freedom, colour, and the spirit of creative nonconformity into a living space. It is furniture that adapts to you, rather than the other way around.